Pilgrims

Pilgrims

Book - 2007
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Penguin Putnam
When it appeared in 1997, Elizabeth Gilbert’s story collection, Pilgrims, immediately announced her compelling voice, her comic touch, and her amazing ear for dialogue. “The heroes ofPilgrims . . . are everyday seekers” (Harper’s Bazaar)—brave and unforgettable, they are sure to strike a chord with fans old and new.



Random House, Inc.
When it appeared in 1997, Elizabeth Gilbert’s story collection, Pilgrims, immediately announced her compelling voice, her comic touch, and her amazing ear for dialogue. “The heroes ofPilgrims . . . are everyday seekers” (Harper’s Bazaar)—brave and unforgettable, they are sure to strike a chord with fans old and new.

Penguin Group USA
The continued success of the New York Times bestselling EAT, PRAY, LOVE has left readers clamoring for more material from Elizabeth Gilbert. Now Penguin will publish Gilbert's first book, PILGRIMS--a masterful and charming collection of short stories.

Baker & Taylor
A short story collection follows the fortunes of a diverse group of characters on singularly American pilgrimages, including an East Coast girl who dares a cowboy to whisk her away to the Rocky Mountains.

Publisher: New York : Penguin Books, 2007
ISBN: 9780143113379
0143113372
Branch Call Number: FICTION GILBERT
Characteristics: 210 p. ; 20 cm

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ksoles Oct 23, 2011

Who knew that, before Elizabeth Gilbert wrote narcissistic and cliche-filled memoirs, she debuted as a short fiction writer? Had I not read rave reviews of "Pilgrims," I would never have given it a chance. Unfortunately, I can't say I'm glad I did.

In the collection, a man shoots at flying pigeons to honor the memory of a boy's dead father. Another boy's embarrassment at his father's nursing career vanishes when one of his father's tricks of the trade comes in handy. A teamster from a wholesale vegetable market comes to terms with his lot in life while counting the windows of a fancy house in Connecticut. And a bus driver boards a load of passengers, each a lover from her promiscuous past.

Gilbert eschews the high and mighty, subtly favouring the working class. She stealthily moves through her stories neither moralizing nor patronizing and tells her characters' tales in their own words without fanfare but also without restraint. Some snappy dialogue, precision and a relaxed style highlight her competent craftsmanship.

But ultimately, the book contains rampant profanity, sexism and utterly unlikable characters. Stories have uninteresting plots, end in anticlimax and contain cringe-inducing figurative language: "She's sexy like a horse is sexy."

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