A NovelBook - 2013
Arriving in New York to pursue a creative career in the raucous 1970s art scene, Reno joins a group of dreamers and raconteurs before falling in love with the estranged son of an Italian motorcycle scion and succumbing to a radical social movement in 1977 Italy. By the National Book Award-nominated author of Telex from Cuba.
Simon and Schuster
Rachel Kushner’s The Flamethrowers, a finalist for the National Book Award, was just named a Top Ten Book of 2013 by the New York Times Book Review and one of Time magazine’s top ten fiction books. Kushner’s first novel, Telex from Cuba, was also a finalist for a National Book Award and was reviewed on the cover of The New York Times Book Review. The Flamethrowers, even more ambitious and brilliant, is the riveting story of a young artist and the worlds she encounters in New York and Rome in the mid-1970s—by turns underground, elite, and dangerous.
The year is 1975 and Reno—so-called because of the place of her birth—has come to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity in the art world—artists have colonized a deserted and industrial SoHo, are staging actions in the East Village, and are blurring the line between life and art. Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro’s family home in Italy, Reno falls in with members of the radical movement that overtook Italy in the seventies. Betrayal sends her reeling into a clandestine undertow.
The Flamethrowers is an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. At its center is Kushner’s brilliantly realized protagonist, a young woman on the verge. Thrilling and fearless, this is a major American novel from a writer of spectacular talent and imagination.
From the critics
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If you’re looking for a literary summer read that features adventure, brilliant prose, and scathingly witty dialogue, then have I got the book for you. The *Flamethrowers* is the second work of fiction by Rachel Kushner, and could in no way be called a sophomore slump compared to her critically acclaimed first, *Telex from Cuba.*
*The Flamethrowers* is a coming-of-age novel that follows a young woman from her hometown of Reno, Nevada to the New York City art scene in the 1970s. We never learn her name – all other characters just call her after her hometown. Reno finds herself mingling in an image-conscious, social-climbing mix of anarchists, nihilists, minimalists and deconstructionists who bum around art shows and try to be authentically inauthentic.
Most characters don’t ever acknowledge what or who they actually are; those who do won’t allow their roots to be uttered in their presence. While none of them are strictly likable or even sympathetic, they are absolutely glorious waste-bags – lost, drunk, and full of hot air - and a pitch-perfect snapshot of the seventies’ NYC art scene on Kushner’s part.
Reno falls for a suave older artist named Sandro Valera, heir to an Italian family fortune made building tires and motorcycles. During a visit to Villa Valera gone awry, Reno finds herself on the streets just as labour tensions spill over into riots against the Italian upper crust, including Sandro’s family.
Kushner’s prose sustains a tangible sense of place, from the arid salt flats of Nevada, to the electric/anarchic feel of New York’s streets during the 1977 blackout, to lush evenings at villa Valera, and ultimately to the poor Italian neighbourhoods of protesters. Much of the local colour comes from the dialogue of characters in each particular place, but Kushner also adeptly captures the emotional resonance of each location.
The cinematic sense of place and funky seventies cultural throwbacks may appeal to fans of Michael Chabon (especially his *Telegraph Avenue*) but readers should be aware that *The Flamethrowers’* pacing is much faster. Also, the feminist edge to Kushner’s prose might be a welcome antidote to Chabon’s heavy testosterone for some readers. Ultimately, though, any readers who love literary fiction with a retro seventies bent and lots of action will enjoy *The Flamethrowers.*
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